This large scale multiple head study used a muted palette contrasting with areas of vibrant colour. Painted with a loose application of paint, ranging from thin glazes to thicker impasto. The multiple heads allure to our various personalities and moods and his interest in the presentation and concepts of beauty. We are exposed to countless images of manipulated perfection of the human form. This work is a counterbalance to this through the use of uneven surface textures and blotches of paint. Creating an awkward imperfect or flawed beauty.
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